Deerhunter Revisited

Most musicians start at point A, go to point B, to point C, and continue to develop a sound that could have only evolved from all previous efforts. With Deerhunter, it seems the band has gone from point A (Cryptograms) to point B (Microcastle/Weird Era), but instead of going to C they went back, to somewhere in between points A and B with Halcyon Digest. This is not to debase the success of their latest record, as it is likely the perfect blend of the true Deerhunter sound- light at heart but also incredibly dense in scope.

The most underrated track of the Deerhunter discography...
Spring Hall Convert by olddusty

Cryptograms was a complex, mostly instrumental equation that introduced the band's more haunting capabilities; while Microcastle/Weird Era was almost the polar opposite. Though extremely drawn-out at 25-tracks long, Microcastle/Weird Era was much more direct; it did not explore the psychedelic compass of the previous record but instead ventured into more vocal pop tunes. Halcyon Digest has found its place somewhere between the broad electronic spectrum and radio-friendly appeal. Considering that Cryptograms' intrigue derived from its almost total inaccessibility, it is nice to hear Deerhunter return to these unique roots while also maintaining the likability that was achieved with Microcastle/Weird Era.



Halcyon Digest often works very independently from itself as the tracks go back-and-forth in tone and atmosphere, some remembering identically the music of two very different albums. In fact, Halcyon Digest almost functions like a greatest-hits record instead of one comprehensive piece. This hints that the band has room to develop a record that can intertwine all of their capabilities on a total album, not just individual tracks. But, with Halcyon Digest, it does appear that Deerhunter is coming into their own, with a sound that both the band and their fans are in comfortable bliss.

True Romance

It shouldn't come as a surprise that Quentin Tarantino wrote this stylish dark comedy. True Romance is one of the most creative screenplays, which is mostly owed to its downright existential nature. As unrealistic as Tarantino's storyline usually is, this does not take away from the movie's freewheeling excitement.

The cast alone reveals this film's credibility: Dennis Hopper, Patricia Arquette, Christian Slater, James Gandolfini, Christopher Walken, Brad Pitt, Gary Oldman, Samuel L. Jackson, and Val Kilmer. Ironically enough, the two stars of the film, Christian Slater and Patricia Arquette, are probably the least distinguished of the bunch; however, their performances are simply outstanding for their blunt honesty. Arquette is spot-on with her portrayal of Alabama Whitman, a dim-wit former call-girl, and Slater as Clarence Worley, using his brooding voice to convince viewers that he is a schizo envisioning "Elvis" as his guardian of sorts.





Of course, it's no wonder, the best scene in the film comes from Dennis Hopper, as Clarence's father, and Christopher Walken, as a drug dealer that just got ripped off by a couple of clueless kids. The film's cinematic appeal comes from its brilliant comic relief, and this scene is no exception. True Romance is possibly one of the most mistakenly underrated works in movie history.

The Low End Theory

It's pretty clear with this post and the previous, that I have been obsessing over Alternative Rap lately. Not many artists have supported Hip-Hop from a critically-acclaimed standpoint, but the majority that did were part of its sub-genre Alternative Rap. From hippies like De La Soul and PM Dawn to brilliant weirdos like Missy Elliott and Busta Rhymes- they have influenced so many, yet their enigmaticness makes it nearly impossible for followers to imitate. Alternative Rap, by nature, has a translucence and free-flowing essence that is addicting and unsatisfying at the same time, only because it wants more. The true gems are unforgettable for their coolness and ease, meaning the subgenre title is misleading because Alternative Rap is in fact listenable and accessible for all music lovers- even if they have never heard anything like it before.








MISSY ELLIOTT'the rain'
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Cashmere Thoughts

Considering that Hip-Hop is one of the most successful genres in music history, it is surprising that it is one of the least referenced in the world of high fashion. Though its true form is a bit unpolished, there have been other genres that inspired superb street style. Think about Grunge, it was founded as a sort of working-class wear and later interpreted into expensive designer styling, courtesy of Marc Jacobs at Perry Ellis. Then there is the Hippie movement, again a slightly rough-around-the-edges style that went straight to the catwalks of Etro and Missoni.

So, why are most great designers so reluctant to design a more urban and aggressive look? Especially since the genre is almost solely based on the search for the cool and luxurious...



Fashion made very few strides during Hip-Hop's Golden Age (Isaac Mizrahi and Chanel) and even fewer in its present most popular era (Tommy Hilfiger and Alexander Wang). Relevant designers everywhere should be inspired by the colorful and unique essence of genuine Hip-Hop style and finally mold it into its deserving form- a rich and tasteful aesthetic.













De La Soul, The Fugees, Lil Kim, Grandmaster Flash, M.I.A, Outkast, Missy Elliott, Eric B. and Rakim, Aaliyah, & Tribe Called Quest

The Last Romantic

When I first heard Grace, I dismissed it as an overblown studio production, using a guy with good looks to get a few hits. What I didn't know then, is how often I would return to the album time and time again for its clarity and unique beauty. As hard as it is to realize, there are not many rock records that embrace the passion, vulnerability and insecurity that often comes with romance- at least none that have ever put it as eloquently as Grace. Sure there are singles- "Nothing Compares 2 U" or "Love Will Tear Us Apart" or "How Soon Is Now?"- but no cohesive album has ever measured up to Buckley's debut in its consistent yearning and heart.



Once again, I have returned to Grace and find myself discovering more with each listen. One thing being that, while this is album is about love, it is more about heartbreak and hope. Maybe it's more obvious than I initially thought, but I understood the crashing chords and soothing melodies as new found love without ever really hearing the lyrics. Now, Jeff Buckley's brooding message and climaxing chords nearly bring about tears. Take "Lover, You Should Have Come Over":

Lover You Should Have Come Over by luxataltpress

Lonely is the room, the bed is made, the open window lets the rain in
Burning in the corner is the only one who dreams he had you with him
My body turns and yearns for a sleep that will never come

It's never over, my kingdom for a kiss upon her shoulder
It's never over, all my riches for her smiles when i slept so soft against her
It's never over, all my blood for the sweetness of her laughter
It's never over, she's the tear that hangs inside my soul forever

Well maybe i'm just too young
To keep good love from going wrong

Oh... lover, you should've come over

Jeff Buckley could make listeners feel the pain and anguish in his writing, amongst good company like Leonard Cohen, Nina Simone, Lauryn Hill, and Morrissey. His talent and presence was certainly lost far too early.

Cherry Bomb

The color red is really starting to come out, and I predict that it only becomes more relevant next season. My favorite shade of the passion color is that cherry red that was seen at Givenchy... Ah, LOVE!











AND I am loving Rihanna's latest colorful video...

Dazed and Confused

Androgyny, celibacy, and outright gender confusion are no strangers to some of music's most memorable lyrics... Here's a listen back at some that are hard to forget.



This classic pretty much embodies the post theme... As mentioned on a previous post, in a nut shell, the New York Dolls created glam and everything that came with it. For the first time in media they brought attention to cross-dressing, trashiness, and sexual confusion, and "Personality Crisis" is one of the most comprehensive song's on the subject.



Again, another classic about gender confusion... "Walk on the Wild Side" is arguably Lou Reed's most poignant solo work. The song helped lift awareness about the often experimental 70's.


Blur - Girls And Boys
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Probably the best and most confusing sexually-confused song, "Girls and Boys" addressed how open society was becoming about sexual experimentation.



It doesn't take long to discover the androgyny here... Black Kids frontman Reggie Youngblood cries "You are the girl that I've been dreaming of, ever since I was a little girl" with vocals that add even more confusion to the subject's sexuality.

Couture Extraordinaire

Typically, when hunting down iconic photographs for a new post it takes some time to find exactly what is needed but for subject Daphne Guinness it took seconds. Perhaps this is because every piece of couture she wears is extraordinary, making her look magnificent in virtually every photograph.

Daphne Guinness is a rare figure in today's fashion. One of the last true couture collectors, she embodies extravagance of insurmountable proportions. Though often claiming her wardrobe takes mere minutes to put together, there is something so intricate and glamorous about her style that is incomparable to other fashion icons of today. She understands what fashion is all about- individuality and beauty- even if that means dying her hair to channel Cruella Devil.

A Rare Interview:

She's A Bitch

In the spirit of celebrating Riot Grrrls, here are some of fashion's greatest punks that ever walked the runway...









Jamie Bochert, Kate Moss, Naomi Campbell, Kristen Mcnemamy, Erin O'Connor, Stella Tennant, Karen Elson, Mariacarla Boscono

Rebel Grrrls

The Riot Grrrl movement was the raw development of female empowerment and provocative aggression that really hit nerves in the early 90's. Rooted by some certain proto-punksters, Patti Smith and The Runaways, girls really would never be the same. Perhaps the most poetic summation of what being a "Riot Grrrl" is all about, is heard early on in The Slits "Typical Girls" from 1979:

"Typical Girls"
Typical girls are sensitive
Typical girls are emotional
Typical girls are cruel and bewitching
She's a femme fatale
Typical girls stand by their man
Typical girls are really swell
Typical girls learn how to act shocked
Typical girls don't rebel

Who invented the typical girl?
Who's bringing out the new improved model?
And there's another marketing ploy
Typical girl gets the typical boy



The sound was perfected in the 90's by Sleater-Kinney, Bikini Kill and Bratmobile, all signed to the label that pioneered the movement, Kill Rock Stars. Sleater-Kinney's career spanned more than a decade; and rightfully so, they are the best and most successful act of the sub-genre. However, the signature Riot Grrrl track comes from Bikini Kill with their boisterous "Rebel Girl".



Although not the same breed, several other female-fronted groups were founded in the same vain as the Riot Grrrl's; most notably, Veruca Salt, Hole, PJ Harvey and later Be Your Own Pet, Marnie Stern, and The Gossip. The movement never ceased and instead holds true to its purest form even today. Ironically enough, it's one of the strongest standing forces that ever hit airwaves, not to mention one of the most revolutionary.

Versace Raised Kane

Donatella Versace deemed Christopher Kane a reincarnation of her late brother, Gianni Versace, before his first collection ever even hit the runway. So is Kane worthy of such an esteemed honor? From the looks of it, the answer is YES...


















Versace 1992, Christopher Kane Spring 2006, Versace Fall 1996, Christopher Kane 2007, Versace 1993, Versus (by Christopher Kane) Spring 2010, Versace, Christopher Kane Fall 2010, Versace 1994, Christopher Kane Spring 2010, Versace, Christopher Kane Fall 2009, Versace 1997, Versus (by Christopher Kane) Spring 2011, Versace, Versus (by Christopher Kane) Fall 2010

All Versace images HERE